Renovations and Reopening
The First Renovation - 'Save the Grand'
The fight to ‘Save the Grand’ lasted 20 years and faced numerous financial, civic and organizational obstacles. Finally, in 1980, citizens requested that a referendum be offered to city residents regarding the destiny of the building. The referendum was approved by the Common Council. Two-thirds of Oshkosh voters replied ‘yes’ to the referendum question on whether or not the City of Oshkosh should acquire, restore and engage in the operation of the Grand Opera House.
On October 4, 1982, the marquee-breaking ceremony marked the official start of the restoration project. The first year was spent clearing the building of debris from the past four decades and raze the unsafe areas. In addition, the adjacent property at 106 High Avenue, which dates from the same period as The Grand, was purchased and connected to the theater. This addition provided space for restrooms, a greater lobby area and street-level access for the handicapped, as well as a meeting room and administrative offices on the second floor. It is in fact now the main entrance to the complex.
When the building was finally ready for reconstruction, only the proscenium and the balcony remained. The interior was then rebuilt from the basement up. The sympathetic restoration was meticulously carried out in an effort to have a facility that is as much like the original as possible, while using modern materials and architectural knowledge and conforming to current building codes.
The newly renovated opera house hosted its reopening dedication and open house on September 27, 1986. After nearly four years and expenditures of approximately $3.5 million the building’s restoration was complete. On October 3, 1986, the new Grand Opera House opened its doors the same way it had over a century before, with a newly-staged performance of “The Bohemian Girl.”
At its reopening in 1986, Grand Opera House was set up as a rental hall and operated as a unit of the city of Oshkosh’s Parks Department. The classification of The Grand as a rental hall prevented its management from promoting the theater or scheduling performances directly. The greatest problem for the management was finding enough presenters who could afford to bring their performances to the opera house and successfully market their events.
In 1989, a proposal was offered by the Oshkosh Opera House Foundation to change the Grand Opera House from a rental hall to a combination presenting/rental hall, like most other theaters in the United States. Despite some opposition, the plan was accepted and the Oshkosh Opera House Foundation took over the management of The Grand leasing the building from the city in November of 1989.
Second Restoration - 'Stand with the Grand'
In the process of evaluating the structure to prepare for installation of a new fire sprinkler system, engineers discovered some structural flaws in the main roof trusses of the opera house—structural elements from the 1883 construction. After weeks of evaluation, these structural issues were discovered to be compromising to the integrity of the building, and the City of Oshkosh, owners, ordered The Grand closed for emergency repair on February 27, 2009. Faced with half a performance season and no venue, the Oshkosh Opera House Foundation proceeded to move over twenty-five scheduled performances to seven alternate venues, over the next four months. The first of these relocated shows was moved that very day from The Grand to the Alberta Kimball Civic Auditorium on four hours notice, and opened on that very night, across town, only a half-hour late. From March-June, the structural issues were investigated and were determined to include not only the roof trusses, but the attic ceiling joists and plaster ceiling as well. The Opera House Foundation worked with representatives of the City of Oshkosh, assisted by the Oshkosh Landmarks Commission and Wisconsin State Historical Society, developed a plan for reconstruction of the structural elements while maintaining the decorative and historic features of the theater. The price for repair and restoration was just under $2 million.
The issue of funding the repair became a political one at that time, as city councilors debated whether or not to fund repair, citing economic difficulties and in some cases, philosophical differences. The Opera House Foundation, along with support from key local businesses and service organizations, began a campaign to generate community support and to bring it to the forefront, before the key vote was taken. The movement, known as the “Stand With the Grand” movement, galvanized the community, as children donated their allowances and lawn mowing money in collection boxes, and businesses and individuals pledged a “Grand for the Grand”.
The Opera House Foundation coordinated this support and, with the concept of adding a restoration fee to future ticket purchases, pledged up to $250,000 over the succeeding ten years, to be generated from these ticket charges and community pledges.
On August 25, 2009, the issue came to a climax, as several hundred people rallied in the parking lot of the Oshkosh City Hall prior to the scheduled City Council meeting, singing, chanting, and encouraging councilors to vote in favor of the repair funding. An overflow crowd packed the council chambers and adjacent rooms, and for three hours, over fifty citizens ranging from middle school to senior citizens, spoke passionately to the councilors about what The Grand meant to them and to their families. As the evening ended, what had previously appeared to be a highly contested vote resulted in an unanimous decision in favor of funding the Grand Opera House repair and restoration.
The second restoration of The Grand Opera House began in the fall of 2009. In an unique public/private partnership, city staff and Grand Opera House staff worked side by side with the contractors and engineers, with Opera House staff paying particular attention to the artistic and decorative elements and to restoring The Grand to its prior beauty. On September 16, 2010, The Grand was re-opened to a gala opening-night crowd, as actor/singer/songwriter Jeff Daniels provided an evening of laughter and tears. Daniels followed with an encore performance the next day open to the general public, and the Opera House Foundation followed with a week of open house free performances, to thank the community and the taxpayers for their support.